top of page
It touched the True Cross: Kiss the crucifix for an indulgence. Unrecorded.

It touched the True Cross: Kiss the crucifix for an indulgence. Unrecorded.

[True Cross] / [Touch relic] / [Indulgence]. i. Der ein crucifix andächtig kist hat Babst Ioanes der 22 und Clemens der 4 ablass verlichen i Iahr u[nd] 40 tag. 2. Ist an einen wahrhafften Particul des H. Creuzes Christi beriüt worden. Herr Jesu Christ in deinne Händ Befeleh ich mich und auch meinend. S.l.: s.n., s.a. [18th century]. [10.6 x 8.8 cm], [1] f. engraving. Only minor spotting and edge wear.

 

 

Unrecorded 18th-century German etching advising its owner that indulgences of 1 year and of 40 days of relief from purgatory were granted by Popes John XXII (1249-1344) and Clement IV (1190-1268) to those who devoutly kissed a crucifix. Small indulgence prints of this sort (Ablasszetteln) were produced in great numbers in the early modern period, but today individual examples are very rare. Their low survival rates no doubt results from the tendency of owners to carry them about as amulets or to use them (or, as here, to kiss them) to pieces.

 

The text here also notes that the print came into contact with a fragment of the True Cross. The engraving is thus an example of a ‘touch’ relic (also called a ‘contact’ or ‘secondary’ relic), i.e., an item that contacted or was in the vicinity of a saint’s primary relic (e.g., a body part or personal item) or another holy item. The touch relic carries with it some of the efficacious ‘charge’ of the original holy item/person.

 

The print depicts Christ suffering on the cross, with the INRI titulus (Jesus Nazarenus Rex Iudaeorum) visible at the top of the cross, and a skull—referring to Golgotha and/or Christ’s redemption of Adam’s first sin—visible at the foot of the cross. The text on the left (headed “i” or “1”) refers to the indulgence, while the text at the right (headed “2”) states that the print touched a particle of the True Cross. The first-person text at the foot of the cross, which echoes Christ’s last words in Luke 23:46, has readers commending themselves and their families into Christ’s hands.

 

These 1-year and 40-day indulgences were widely known from at least the middle of the 18th century through their inclusion in Lucius Ferrari’s (1687-1763) Prompta Bibliotheca canonica, juridica, moralis, theologica … (1746) and they were acted out in both private and public spaces: In the first half of the 19th century, W. M. Gould wrote of Padua, “In many parts of the city, I noticed small crosses sculpted upon blocks of marble fixed in the walls of houses and churches, and observed those figures to be habitually kissed by all classes. The advantage connected with this operation is fully explained in the following inscription: ‘Indulgenza di giorni quaranta dal Sommo Pontifice Giovanni XXII., e di un anno da Papa Clemente IV., a chi biacciera a S. Croce.’ ‘Indulgence of forty days conceded by the High Pontiff John XXII., and of one year by Pope Clement IV., to whoever shall kiss the Holy Cross’” (Zephyrs from Italy and Sicily [1850], p. 250).

 

 

Not located by OCLC, KVK, Omnia, or the Deutsche Digitale Bibliothek.

 

*A. Spamer, Das kleine Andachtsbild vom XIV bis zum XX Jahrhundert; Horst Heres, Das private Andachtsbild: Devotionale, Andenken, Amulett.

    $750.00Price
    bottom of page